Live-first tools for front-of-house engineers. A free suite for every rig, flagship tools with perpetual licenses — macOS (AU/VST3) & Windows (VST3). No iLok, no dongle.
AI automixer: shared-gain automixing with a neural voice detector. Total gain stays constant, idle mics sit down, first syllables never clip. Instances link into one brain across 16 channels; Noise Reference tames the single-lectern trap. Zero added latency.
Under the hood: a gain-sharing engine holds the sum of all open microphone gains constant, so gain-before-feedback never moves — while the neural voice detector decides who deserves the mix. Per-channel WEIGHT priorities, sidechain HPF, a built-in de-plosive guard and the NS phantom competitor for single-lectern rooms. Instances link automatically into one brain, and offline bounces are handled gracefully.
Automatic feedback suppressor: twelve surgical SVF notches — six auto-capture, six dynamic trackers. Notches never widen; they only go deeper, to −60 dB. Every cut is visible on the spectrum and lockable with one tap. Zero added latency, no lookahead. HN-6 gives you manual notches; TZ-12 hunts.
Detection runs in a background analyser — never in the audio path — and confirms feedback by three independent criteria: narrowness, persistence, growth. Six capture slots fingerprint the room during ring-out; six trackers float for whatever the show invents later. Tap any dip on the 64-band spectrum to lock it pink for the night. Depth escalates in inaudible steps to −60 dB; bandwidth has a hard 4 Hz floor and never widens.
Six style-driven drum processors — KICK, SNARE, TOM, FLOOR TOM, OVERHEAD, RIDE. Pick a style, and each module applies a working engineer's real settings: smart 4-band PUNCH, FORWARD/BACK depth, SOUNDLOCK™ self-learning gate or compressor, and a dynamic HARMONIZER BOOST. $49 per module, or the full PX DRUM SUITE for $189.
The PX series encodes forty years of live drum mixing into style tables. Choose ROCK, METAL, POP, FUNK or JAZZ and the module loads the exact frequency, gain and dynamics decisions a veteran engineer would make on that channel — then lets the performance drive them. SOUNDLOCK™ — the family's learning engine — listens during soundcheck and locks: the gate learns its own threshold, range and key band from soundcheck and locks. The snare compressor learns its threshold and hits a target reduction on the backbeat, not on ghost notes. HARMONIZER BOOST adds tube-style harmonics that fill thin hits (BODY) and open with strong ones (GLOW), with CLEAN/DIRTY character and a HARM SOLO button so you can hear exactly what is added. KICK offers separate OUT/IN mic tables, SNARE separate TOP/BOT — one plugin, one switch. After a drummer plays for three minutes, 80% of the drum sound is done. THE SERIES CONTINUES — next waves are already on the bench: the percussion family, bass, piano & keys, guitars and vocals. The PX method, instrument by instrument.
The complete YY live rack: SC-16 SmartControl, TZ-12 TraceZero and all six PX drum modules. One perpetual license, every future update of every included product. Individually $667 — the bundle saves you $268.
One purchase, the whole toolkit: automixing, feedback control and the PX drum family in a single order, ready before your next soundcheck.
A setup and rehearsal copilot — deliberately not a show-time controller. Turns the conversation into console-ready channel names, patches and starting points, by voice or text. The 40 minutes of button-work before doors becomes a couple of minutes. $19/mo or $190/yr, voice included.
VoxStage works before the show — setup, line check, rehearsal. When doors open, it steps aside by design: you have faders, a touchscreen and muscle memory in front of you, and no phone will ever beat them. The show belongs to you and your console. The hours before it are where time actually dies, because prep is data entry. Honest field numbers: naming 35 channels by hand takes an experienced tech 15–20 minutes; pre-fader sends to Mixes 1–6 across those 35 channels, another 20. VoxStage does both in the time it takes to say them out loud — 'kick in, snare top, two toms, lead vox on the Beta 58, channels 1 to 35 pre-fader to Mix 1 through 6.' And during line check, when you are on stage and spot something, you fix it from the phone in your hand instead of walking back to the desk. Built and gigged on the Yamaha CL/QL platform first, because that is what the working world mixes on. Launches as its own service: $19/mo or $190/yr, voice included.
A live VST3/AU host built on hardware insert-patch logic: patch any plug-in to a console channel, align every insert latency with one button, crash-guarded out-of-process scanning.
RP-1 is the family's home on stage: a standalone live host that runs your VST3/AU rack outside any DAW, wired like a hardware insert patch. One button aligns every insert latency; crash-guarded out-of-process scanning keeps a misbehaving plugin from taking the show down. The MB-1 Meter Bridge is built into the shell.
Removes acoustic feedback and unpleasant harmonic resonances on stage with surgical precision — without disturbing the natural tone or phase structure of the mix. Six harmonic-tracking notch bands, decay-linked slope.
The face of HN-6 is an analyzer, and the six filters live on it as draggable nodes: what you see is what you cut. For instrument-body resonances, HARMONIC SLOPE LINK places the series automatically — deep at the fundamental, gentler up the harmonics, the way physics decays — and MASTER DECAY rides the whole treatment with one knob.
Aligns phase mismatches and delays between multiple microphones and signal paths in real time, with continuous tracking. Kick in/out, snare top/bottom, stereo or linked dual-mono inserts.
Two mics on one source never agree in time; summed, they smear transients and comb the low end. LM-2 measures the offset and applies it where it belongs: group two instances, pick the reference role, choose KICK, SNARE or TRACK mode, and let the drummer hit once. Polarity resolves the flip; TRIM covers taste.
Always-on-top metering and bus balance for RP-1: per-channel IN/OUT bars with Peak and VU ballistics, ambient alert the moment anything clips.
Honest levels at stage distance: per-path PEAK and OUT metering sized to be read from across the booth, with an ambient alert the moment anything clips. MB-1 lives inside RP-1 — no separate install, no separate license.
SOUNDLOCK™ is the learning engine inside YY plugins. It listens the way a working engineer listens — once, with full attention, during soundcheck — then commits: thresholds, key bands, compressor targets and microphone alignment lock, and never drift on their own. Where separation cannot be proven, it does nothing at all: fail-safe, bit-transparent, honest. Every decision is shown on the panel — branch, band, margin — because an engineer who can audit a decision can trust it.
Measured, not claimed — same passage, levels matched: 10.3 dB less bleed between hits, +7.3 dB sharper attack per hit, drum body +5 dB forward. Full methodology in the white paper.
All current and future YY DSP plugins — SC-16, TZ-12 and every new PX module on release day. Rent-to-own: 18 consecutive paid months and the catalog is yours forever. 30-day offline grace for the road. Perpetual licenses stay on sale — we will never go subscription-only. VoxStage is a separate service with its own subscription, because it carries live cloud costs.
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"Drum balance that used to take me three to four hours is now a few minutes. Nothing like it exists."
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RP-1, LM-2, HN-6 and MB-1 are free for personal and commercial use. Enter your e-mail; your key arrives instantly and works in every free YY plugin.
